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First-time writer-director Oren Peli brought his friends, actors Katie Featherstone and Micah Sloat, to his own home to make the kind of horror movie he'd always liked -- restrained, with a psychological bent. When Salon spoke to Peli earlier Like "Night of the Living Dead," "The Texas Chainsaw Massacre," "Repulsion" and "Halloween," its urgent, lo-fi aesthetic only enhances its creepy realism. It's a hit for the most surprising reason of all: because it's very good.
The eroding relationship is realistically portrayed and kudos to Katie Featherson and Micah Sloat who don't perform in the traditional sense but act like an average twenty-something couple dealing with a paranormal event they cannot Like “Blair Witch,” “Quarantine,” “Cloverfield” and “George Romeo's Diary of the Dead” the “found footage” motif has once again proved effective and while Hollywood is fixated on big-budget scares for every small film that works the